Design a 2:3 vertical oriental ink-wash cinema poster for "{{title}}".
Story context:
{{story_context}}
First understand the characters, era or fictional world, representative scenes, symbolic motifs, and emotional tone in the story context. Then choose one decisive cinematic moment that summarizes the theme. Do not dump every detail from the context into the image; distill it into a single frame with narrative tension. If the story context lists representative motifs, props, places, or world cues, make 2 to 4 of them visibly present in the key visual or distant scene so the theme can be recognized, rather than relying only on abstract atmosphere.
Use generous negative space and a minimal composition. The figure, character, or main subject should feel relatively small inside a vast environment, creating strong spatial contrast, fate, and quiet drama. The central image may be a silhouette, lone rider, traveler, old city, mountains and water, boat, tower, road, flag, moon, bird, rain, smoke, ember, or another symbol naturally derived from the current story. Do not force fixed props from any example into unrelated themes. For named characters, IP, or fictional worlds, the subject must not collapse into a generic dark traveler; preserve recognizable identity through silhouette, costume family, main colors, signature props, elemental patterns, architecture, or world-specific symbols.
Blend ink-wash diffusion, fine gongbi-like linework, xuan paper texture, and modern film-poster graphic design. Ink tones should have layered density, dry and wet variation, bleeding edges, and hand-drawn grain. Add restrained low-saturation accent colors only where the story needs them, such as cinnabar red, stone gold, cold blue, dark teal, ochre, or another mood-matched color. The palette must not be only black-and-white ink, but it must also avoid high-saturation commercial illustration.
The background should feel like real textured xuan paper with handmade warmth, film grain, and refined digital finishing. Keep the lighting controlled and the emotion cool, poetic, and weighty. Symbolic elements should be embedded naturally in the composition: moon, mountains, water, birds, silhouettes, city walls, lone boats, wind-torn flags, distant lights, rain traces, or story-specific signs. These symbols must serve the current story rather than becoming a decorative checklist.
Set the title with an oriental calligraphic or handwritten film-title feeling. Keep the layout extremely minimal, with very little text and a large amount of breathing space. Title, author, credits, and fine print may appear as poster-design elements, but text must not dominate the visual. If exact text rendering is unstable, prioritize the title mood and typographic placement over perfectly readable small text.
If the theme comes from a game, film, book, or fictional world, preserve recognizable character identity, world cues, main colors, symbolic props, and emotional relationships, then reinterpret them through this oriental ink-wash cinema-poster language. Do not copy official character art, screenshots, UI, card art, or promotional poster compositions.
Avoid generic ancient-fantasy illustration, character standing art, full-frame decoration, dense props, photorealism, heavy 3D, cheap martial-arts book covers, template poster design, strong gradients, excessive neon, text-filled layouts, logos, watermarks, unrelated elements, oversized subjects, lost negative space, and missing story metaphor.