Reproducible examples

Start from a reliable example

3
Example 1

Source-theme reproduction case using Han Han's Chang'an Luan to test youth, Jianghu, old city, distant mountains, lonely roads, and restrained irony.

Example parameters
Title
长安乱
Story context
韩寒的另类武侠小说:十八岁的俗家弟子释然离开少林,带着青梅竹马的喜乐骑小马游走荒诞江湖;武林纷乱,少林与武当等门派卷入盟主争夺,朝廷冷眼旁观,少年在散乱、幽默又悲凉的旅途中寻找自己珍视的东西。代表意象:孤身少年、远山、旧城、荒路、小马、风中旗帜、压抑却带讽刺感的江湖气息。
Example import code
EN-T2I-002@ex-001
Example 2

Genshin transfer case using Zhongli and Liyue to test character identity, world motifs, and cinematic ink-wash negative space.

Example parameters
Title
尘世契约
Story context
原神钟离主题:璃月港、岩元素、契约、往生堂、旧友与漫长岁月;钟离的沉稳气质、岩金与墨黑身份色、璃月山水、港城轮廓、茶盏和摩拉。
Example import code
EN-T2I-002@ex-002
Example 3

Cross-genre extension case using a near-future mountain-city mystery to test rain, elevated roads, cold neon, and ink-wash atmosphere.

Example parameters
Title
雨城余烬
Story context
近未来山城悬疑电影:连夜暴雨、层叠高架、雾中霓虹、旧案重启、独行侦探和一封被火烧过的信;冷色光晕、雨夜高架、小人物剪影和被雾吞没的城市。
Example import code
EN-T2I-002@ex-003
Source prompt

Prompt content

Design a 2:3 vertical oriental ink-wash cinema poster for "{{title}}".

Story context:
{{story_context}}

First understand the characters, era or fictional world, representative scenes, symbolic motifs, and emotional tone in the story context. Then choose one decisive cinematic moment that summarizes the theme. Do not dump every detail from the context into the image; distill it into a single frame with narrative tension. If the story context lists representative motifs, props, places, or world cues, make 2 to 4 of them visibly present in the key visual or distant scene so the theme can be recognized, rather than relying only on abstract atmosphere.

Use generous negative space and a minimal composition. The figure, character, or main subject should feel relatively small inside a vast environment, creating strong spatial contrast, fate, and quiet drama. The central image may be a silhouette, lone rider, traveler, old city, mountains and water, boat, tower, road, flag, moon, bird, rain, smoke, ember, or another symbol naturally derived from the current story. Do not force fixed props from any example into unrelated themes. For named characters, IP, or fictional worlds, the subject must not collapse into a generic dark traveler; preserve recognizable identity through silhouette, costume family, main colors, signature props, elemental patterns, architecture, or world-specific symbols.

Blend ink-wash diffusion, fine gongbi-like linework, xuan paper texture, and modern film-poster graphic design. Ink tones should have layered density, dry and wet variation, bleeding edges, and hand-drawn grain. Add restrained low-saturation accent colors only where the story needs them, such as cinnabar red, stone gold, cold blue, dark teal, ochre, or another mood-matched color. The palette must not be only black-and-white ink, but it must also avoid high-saturation commercial illustration.

The background should feel like real textured xuan paper with handmade warmth, film grain, and refined digital finishing. Keep the lighting controlled and the emotion cool, poetic, and weighty. Symbolic elements should be embedded naturally in the composition: moon, mountains, water, birds, silhouettes, city walls, lone boats, wind-torn flags, distant lights, rain traces, or story-specific signs. These symbols must serve the current story rather than becoming a decorative checklist.

Set the title with an oriental calligraphic or handwritten film-title feeling. Keep the layout extremely minimal, with very little text and a large amount of breathing space. Title, author, credits, and fine print may appear as poster-design elements, but text must not dominate the visual. If exact text rendering is unstable, prioritize the title mood and typographic placement over perfectly readable small text.

If the theme comes from a game, film, book, or fictional world, preserve recognizable character identity, world cues, main colors, symbolic props, and emotional relationships, then reinterpret them through this oriental ink-wash cinema-poster language. Do not copy official character art, screenshots, UI, card art, or promotional poster compositions.

Avoid generic ancient-fantasy illustration, character standing art, full-frame decoration, dense props, photorealism, heavy 3D, cheap martial-arts book covers, template poster design, strong gradients, excessive neon, text-filled layouts, logos, watermarks, unrelated elements, oversized subjects, lost negative space, and missing story metaphor.

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