Create a minimal risograph print poster illustration.

Subject: {{subject}}
Scene or mood: {{scene}}

The image should feel crisp, quiet, and printmaking-like, not like a generic digital illustration. Use clear but gentle ink outlines, slight natural deformation, flat hand-drawn color shapes, and a restrained poster composition. Place the subject inside generous breathing room with warm off-white paper space. Keep props and background cues minimal, only using details that directly support the subject and scene.

Limit the palette to 2 or 3 soft vintage ink colors plus warm ivory paper. Derive the palette naturally from the current subject and scene: misty blue, pale violet, muted red, gray green, ochre, soft pink, or similar low-saturation colors may appear, but the result must stay controlled, clean, and like a real two- or three-color risograph print. Do not use rainbow gradients or high-saturation commercial illustration colors.

Make the print texture visible: rough paper grain, tiny ink speckles, uneven ink density, faded patches, slightly rough edges, subtle registration shift between ink layers, and gentle overprint where colors overlap. The final piece should feel like a small independent art print, quiet editorial poster, or vintage zine plate.

If the subject comes from a game, film, book, brand, or fictional world, preserve recognizable identity, main colors, costume family, symbolic props, elemental motifs, and world cues, then reinterpret them through this minimal risograph poster language. Do not copy an official illustration, screenshot, UI, card, or promotional poster composition.

Avoid photorealism, heavy 3D, generic anime standing art, complex backgrounds, dense props, dramatic hard lighting, heavy gradients, metallic shine, modern stock-illustration polish, full-frame decoration, long text, logos, watermarks, overly sharp digital rendering, tiny subject placement, lost negative space, and elements unrelated to the current theme.